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</div></div></article></td></tr></table></div></div></script><div class=”tags-container”><a href=”https://www.comingsoon.net/tag/bill-pullman” rel=”tag”>Bill Pullman</a> <a href=”https://www.comingsoon.net/tag/harry-connick-jr” rel=”tag”>Harry Connick Jr.</a> <a href=”https://www.comingsoon.net/tag/independence-day” rel=”tag”>independence day</a> <a href=”https://www.comingsoon.net/tag/jeff-goldblum” rel=”tag”>Jeff Goldblum</a> <a href=”https://www.comingsoon.net/tag/roland-emmerich” rel=”tag”>Roland Emmerich</a> <a href=”https://www.comingsoon.net/tag/vivica-a-fox” rel=”tag”>vivica a. fox</a> <a href=”https://www.comingsoon.net/tag/will-smith” rel=”tag”>Will Smith</a></div><article class=”js-article post-1181213 post type-post status-publish format-standard has-post-thumbnail hentry category-action category-movies category-sci-fi tag-bill-pullman tag-harry-connick-jr tag-independence-day tag-jeff-goldblum tag-roland-emmerich tag-vivica-a-fox tag-will-smith pb_article_type-features” id=”post-1181213″
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data-title=”All the Reasons to Love Independence Day 25 Years Later”><div class=”meta clearfix”><div class=”meta-info clearfix”><div class=”author”>By <a class=”listed-article-author” rel=”author” href=”https://www.comingsoon.net/author/amesjeff”>Jeff Ames</a> </div><div class=”date”> ON<time datetime=”2021-07-04″> July 4, 2021</time></div><div class=”share article-header-widget”></div></div><div class=”a2a_kit a2a_kit_size_32 a2a_default_style” data-a2a-url=”https://www.comingsoon.net/genres/sci-fi/features/1181213-independence-day-movie-25-years-later” data-a2a-title=”All the Reasons to Love Independence Day 25 Years Later”> <a class=”a2a_button_facebook”></a> <a class=”a2a_button_twitter”></a> <a class=”a2a_button_reddit”></a> <a class=”a2a_button_pinterest”></a> <a class=”a2a_button_whatsapp”></a> <a class=”a2a_button_email”></a></div><script async src=”https://static.addtoany.com/menu/page.js”></script></div><div class=”js-medium-rectangle-ad”></div><div class=”article-content”><p><img class=”alignnone size-full wp-image-1181214 no-lazy” src=”https://www.comingsoon.net/assets/uploads/2021/07/ID4-e1625411039265.jpg” alt=”independence day” width=”640″ height=”360″></p><p><strong>Independence Day</strong> emerged on July 3, 1996, with more hype than any other film that year, including <strong>Twister</strong>, <strong>Mission: Impossible</strong>, and <strong>The Rock</strong>. And while plenty of arguments could be made as to why <strong>ID4</strong> pales in comparison to its competition, make no mistake, Roland Emmerich’s sci-fi adventure is a genuine blockbuster and certainly an enjoyable piece of good ole fashioned 90s era pop culture. (Why did it take 20 years to make a sequel?)</p><div class=”pb-in-article-content”><div id=”evolve_ad_gpt_widget-46″ class=”widget_evolve_ad_gpt_widget”><div id=””><div id=”pb_prebidjs_300x250_a_1625414283″
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.setTargeting(‘pos’, ‘P’).setTargeting(‘ct’, ‘article’).setTargeting(‘ci’, ‘1181213’).setTargeting(‘content_detail’, ‘1’).setTargeting(‘kw’, ‘action,bill-pullman,harry-connick-jr,independence-day,jeff-goldblum,movies,roland-emmerich,sci-fi,vivica-a-fox,will-smith,in-article’).setTargeting(‘coppa’, ‘0’).setTargeting(‘site’, ‘comingsoon’);googletag.enableServices();googletag.display(‘ros_300x250_p_slot4_1625414283’);googletag.pubads().refresh([PB.gptStandAlone[‘ros_300x250_p_slot4_1625414283′]]);});}</script></div></div></div></div><p>Of course, there are certain elements to <strong>ID4</strong> that continue to stand out more than others — here are a few:</p><h2>The Cast, But Mostly Will Smith</h2><p>One of <strong>ID4’s</strong> more defining traits, aside from those cool teaser trailers and those mock news reports, is its stellar cast led by the immensely charismatic Will Smith, fresh off the success of 1995’s <strong>Bad Boys</strong> and a certain <strong>Fresh Prince</strong> TV show. <strong>ID4</strong> would further propel Smith to the limelight, leading to the very popular <strong>Men in Black</strong> the following summer and <strong>Enemy of the State</strong> in 1998, and rightfully so, as the man damn near carries the production on his back!</p><p><img src=”data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7″ class=”lazy lazy-hidden” data-lazy-type=”iframe” data-lazy-src=”<iframe title=”YouTube video player” src=”https://www.youtube.com/embed/qjh_YGrtN9k” width=”640″ height=”360″ frameborder=”0″ allowfullscreen=”allowfullscreen”></iframe>” alt=””><noscript><iframe title=”YouTube video player” src=”https://www.youtube.com/embed/qjh_YGrtN9k” width=”640″ height=”360″ frameborder=”0″ allowfullscreen=”allowfullscreen”></iframe></noscript></p><p>Still, the supporting cast is equally terrific — Jeff Goldblum (in peak Goldblum form in-between <strong>Jurassic Park</strong> features), Bill Pullman, Vivica A. Fox, Mary McDonnell, Randy Quaid, Judd Hirsch, Robert Loggia, and James Rebhorn all have a blast more or less playing disaster-movie caricatures, though its Pullman as the President of the United States who gets the most impactful scene:</p><div class=”pb-in-article-content”><div id=”evolve_ad_gpt_widget-47″ class=”widget_evolve_ad_gpt_widget”><div id=””><div id=”pb_prebidjs_300x250_c_1625414283″
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Yet, despite the scene’s outlandishness, Russell’s kamikaze death ranks up there as a classic hero moment for the ages.</p><p><img src=”data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7″ class=”lazy lazy-hidden” data-lazy-type=”iframe” data-lazy-src=”<iframe title=”YouTube video player” src=”https://www.youtube.com/embed/NyOTaHRBTXc” width=”640″ height=”360″ frameborder=”0″ allowfullscreen=”allowfullscreen”></iframe>” alt=””><noscript><iframe title=”YouTube video player” src=”https://www.youtube.com/embed/NyOTaHRBTXc” width=”640″ height=”360″ frameborder=”0″ allowfullscreen=”allowfullscreen”></iframe></noscript></p><p>In case you didn’t know, Russell’s death was actually a little, um, more absurd than what you saw in the theatrical cut:</p><p><img src=”data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7″ class=”lazy lazy-hidden” data-lazy-type=”iframe” data-lazy-src=”<iframe title=”YouTube video player” src=”https://www.youtube.com/embed/ls2CwZjQ9es” width=”640″ height=”360″ frameborder=”0″ allowfullscreen=”allowfullscreen”></iframe>” alt=””><noscript><iframe title=”YouTube video player” src=”https://www.youtube.com/embed/ls2CwZjQ9es” width=”640″ height=”360″ frameborder=”0″ allowfullscreen=”allowfullscreen”></iframe></noscript></p><hr><h2>Data Shows Up as a Looney Scientist</h2><p>At the time, I had no idea why the audience suddenly started laughing at the appearance of grizzled Dr. Brackish Okun until someone pointed out that the actor was Brent Spiner, aka Data from <strong>Star Trek</strong>. His cameo is incredibly random but does lead to one of the film’s more memorable moments — or, the Bill Pullman-wigs-out-scene:</p><p><img src=”data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7″ class=”lazy lazy-hidden” data-lazy-type=”iframe” data-lazy-src=”<iframe title=”YouTube video player” src=”https://www.youtube.com/embed/ZlawibQ_QKI” width=”640″ height=”360″ frameborder=”0″ allowfullscreen=”allowfullscreen”></iframe>” alt=””><noscript><iframe title=”YouTube video player” src=”https://www.youtube.com/embed/ZlawibQ_QKI” width=”640″ height=”360″ frameborder=”0″ allowfullscreen=”allowfullscreen”></iframe></noscript></p><hr><h2>Escaping the Mothership</h2><p>By the finale, if you’re still on board, there’s a great bit where Will Smith and Jeff Goldblum, ahem, upload a virus into the aliens’ computer system (a clever take on <strong>War of the Worlds’</strong> climax) and must escape the mothership ASAP. Sure, the scene raises more questions than it answers — such as whether a 90s Mac would have the ability to “hack” into an advanced aliens ship without knowing the extra-terrestrials’ wi-fi password (DestroyAllHumans123); and why more bad guys weren’t deployed to go after Smith and Goldblum’s ship — but doing so means you’re missing out on 85% of what makes these types of films fun in the first place.</p><p><img src=”data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7″ class=”lazy lazy-hidden” data-lazy-type=”iframe” data-lazy-src=”<iframe title=”YouTube video player” src=”https://www.youtube.com/embed/1K8E1kOHMGA” width=”640″ height=”360″ frameborder=”0″ allowfullscreen=”allowfullscreen”><span data-mce-type=”bookmark” style=”display: inline-block; width: 0px; overflow: hidden; line-height: 0;” class=”mce_SELRES_start”></span></iframe>” alt=””><noscript><iframe title=”YouTube video player” src=”https://www.youtube.com/embed/1K8E1kOHMGA” width=”640″ height=”360″ frameborder=”0″ allowfullscreen=”allowfullscreen”><span data-mce-type=”bookmark” style=”display: inline-block; width: 0px; overflow: hidden; line-height: 0;” class=”mce_SELRES_start”></span></iframe></noscript></p><hr><h2>David Arnold’s Score</h2><p>David Arnold brings his A-game to the B-movie with thrilling results. His music to <strong>ID4</strong> practically carries the film, especially in the sluggish latter half, and adds a lot of energy to the big action scenes. And while the composer has certainly been better — <strong>Casino Royale</strong> and <strong>Hot Fuzz</strong>, for example — his work on <strong>ID4</strong> stands out as one of the better 90s’ era blockbuster scores.</p><p><img src=”data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7″ class=”lazy lazy-hidden” data-lazy-type=”iframe” data-lazy-src=”<iframe title=”YouTube video player” src=”https://www.youtube.com/embed/T9-tu-7V9jQ” width=”640″ height=”360″ frameborder=”0″ allowfullscreen=”allowfullscreen”></iframe>” alt=””><noscript><iframe title=”YouTube video player” src=”https://www.youtube.com/embed/T9-tu-7V9jQ” width=”640″ height=”360″ frameborder=”0″ allowfullscreen=”allowfullscreen”></iframe></noscript></p><hr><h2>The Buildup</h2><p>Yeah, this kind of falls in line with The Big Scene, but the first act of <strong>ID4</strong> is undeniably amazing. Everything from the way Emmerich leans on our anticipation for the actual invasion (he literally uses a countdown clock) slowly ratchets up the tension to the way he introduces his colorful cast of characters is damn near perfect.</p><p><img src=”data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7″ class=”lazy lazy-hidden” data-lazy-type=”iframe” data-lazy-src=”<iframe title=”YouTube video player” src=”https://www.youtube.com/embed/Srsz9BTmSHs” width=”640″ height=”360″ frameborder=”0″ allowfullscreen=”allowfullscreen”></iframe>” alt=””><noscript><iframe title=”YouTube video player” src=”https://www.youtube.com/embed/Srsz9BTmSHs” width=”640″ height=”360″ frameborder=”0″ allowfullscreen=”allowfullscreen”></iframe></noscript></p><hr><h2>Harry Connick Jr.’s Random Cameo</h2><p>At some point during production, somebody told Emmerich that Will Smith’s character needed a buddy who could die. Enter renowned singer Harry Connick Jr., who pops into <strong>ID4</strong> for about 10 minutes and bites the dust in dramatic fashion. I suppose the point is to warn audiences, “If Harry Connick Jr. can die … all bets are off!” even though the resulting effect is probably more distracting than the filmmakers intended. Plus, it’s weird that Smith reacts in such a way that makes you think Harry’s death will carry some meaning later in the film … nope. He’s never mentioned again. Now, that’s what I call a bait and switch.</p><p><img src=”data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7″ class=”lazy lazy-hidden” data-lazy-type=”iframe” data-lazy-src=”<iframe title=”YouTube video player” src=”https://www.youtube.com/embed/39mPbLXld10″ width=”640″ height=”360″ frameborder=”0″ allowfullscreen=”allowfullscreen”></iframe>” alt=””><noscript><iframe title=”YouTube video player” src=”https://www.youtube.com/embed/39mPbLXld10″ width=”640″ height=”360″ frameborder=”0″ allowfullscreen=”allowfullscreen”></iframe></noscript></p><hr><h2>The Dog Scene</h2><p>Finally, there’s not much in the history of cinema that can top <strong>ID4’s</strong> famous “Dog Scene.” As millions upon millions of people die, Emmerich chooses to focus on the thrilling survival of Vivica A. Fox’s Labrador Boomer, who rises to the challenge like a bonafide superhero. 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